Tuesday, November 13, 2007
A Theory of Fragements and Tape, Lane Robert Mandlis, Latitude 53 Gallery, November 9 - December 1, 2007
Described as "performance ethnography," Lane Robert Mandlins traces his self (be it physical, mental, emotional) as the embodied transsexual (FTM) scholar. In layman's terms, a maze of textured shower curtains guide the audience on a journey of introspective thoughts. From the faux curtains that could double as transparent blackboards down to the inscribed bathmats that feel like stepping stones, the private sanctity of one's personal space is well conveyed into an accessible and shared experience. Doubling as the liminal head space that brews endless thoughts to the cleansing of the free, private and naked self, the shower maze-like construct is marked by numerous images of transformative figures from various cultures. From Haida to Mexico, the notion of transformation is here enlightened as a passage of life and being.
Images from the Tarot are also employed, the end card in the maze being the Death card, once again pointing to transition and change. The text and images caught in fragments and bits of tape compliment each other for an overall experience of transformation; only, I am not convinced that transformation can be given set parameters of time and space, and so perhaps this exhibition is but a blip into the transparency of our ideas of gender.
Image credit: Lane Robert Mandlis, 2007.
Photo credit: Karen MacArthur, Womon on the Edge
For those editors out there, here is what is pulled from Mandlis' site:
The word Fragements is not a miss-spelling of the word Fragments. In this art work, the word Fragements is a combination of the English word Fragments and the German word Frage, which in English means to question, or in some cases, to wonder. This work questions and wonders about things, but in a fragmented form. Thus, Fragements!
at 1:47:00 p.m.